6. Matthew McConaugheyThe entertainment media is slow to admit a mistake, so the magazines that declared drawling Texan McConaughey the "star of the future" back in 1996 are partly to blame for a decade's worth of distractingly one-note performances, often in direct conflict with the tone and style of what's going on around them.
To be fair, the public has also had a hand in McConaughey's stardom, by goosing flabby romantic comedies like The Wedding Planner and Failure To Launch to unexpected box-office success.
But those same audiences haven't followed McConaughey to rugged action fare like Sahara or Reign Of Fire, even though his physical build and laconic personality is better suited to rakish-adventurer roles than emotionally complex love-interest parts.
So McConaughey seems doomed to a career full of impossible choices: keep on doing what he's bad at, or risk disappointing the people who pony up the dough.
8. Nicolas Cage
Cage's current showing at the box office in National Treasure 2 not only stands as proof that he hasn't been dragged down into unemployment by his many flops, it's an object lesson in why.
While a large percentage of his films over the past dozen years or so have been moderate-to-catastrophic financial failures - for instance: Next, The Weather Man, The Wicker Man, Lord Of War, Captain Corelli's Mandolin, Windtalkers, Bringing Out The Dead, and Snake Eyes, he still manages to pull off a National Treasure or a (gulp) Ghost Rider every now and then...
...Reminding Hollywood of the massive payoffs of his back-to-back '90s hits, Leaving Las Vegas, Con Air, The Rock, and Face/Off. Still, he's established a pretty clear track record at this point.
He makes money in big, dumb action films, and loses it everywhere else. Looking at the bottom line, it's hard to understand why Hollywood keeps trying to plug him into quirky, personality-driven fare, especially since as an actor, he generally just has the one personality to offer.
9. Keanu Reeves
And speaking of one-note acting, Reeves had the great fortune to start out his career with a handful of films that made his limited range, from blank affability to blank rigidity, look like carefully crafted acting.
His roles in River's Edge, Dangerous Liaisons, the Bill and Ted movies, Parenthood, and My Own Private Idaho all pinpointed appropriate aspects of his little-changing affect so cleverly that it looked like he had range.
By the time films like Dracula, Much Ado About Nothing, Johnny Mnemonic, and A Walk In The Clouds proved otherwise, it was too late - he already had a juggernaut career. And the success of The Matrix sealed the deal.
Not even theatrical flops like The Watcher, Sweet November, Thumbsucker, Constantine, A Scanner Darkly, and even The Matrix Revolutions have been able to stop him from getting work, even though the closest thing he's had to a hit lately was the so-so 2006 love story The Lake House. Coming later this year: Reeves as Klaatu in a remake of The Day The Earth Stood Still. No, seriously, we aren't kidding even a little bit.
13. Samuel L. Jackson
On the other hand, Samuel L. Jackson's career didn't take off until he was well into his 40s.
He seems intent on making up for lost time by ascribing to the Christopher Walken school of accepting any role offered him, no matter how ridiculous or undignified.
Since his Jungle Fever breakthrough, Jackson has appeared in a punishing gauntlet of flops like The Long Kiss Goodnight, 187, Sphere, Rules Of Engagement, Formula 51, Twisted, In My Country (a.k.a. Country Of My Skull), The Man, Snakes On A Plane, and Home Of The Brave.
Then again, Jackson's cult fan base seldom holds him responsible for his bad/failed movies, and a Pulp Fiction, Jackie Brown, or Negotiator every couple of years goes an awfully long way toward winning back fans' hearts.
18. Josh Hartnett
As the lithe-framed object of desire in 1999's The Virgin Suicides, Hartnett must have looked like a certain up-and-coming star, with a face destined to fill young girls' journals with heart-shaped stickers.
Though there turned out to be perilously little beyond those hooded eyes, Harnett has never been in want of major roles in major bombs.
After stopping by for a bit part in the notorious $90 million comedy Town and Country, Hartnett moved on to play one corner of Pearl Harbor's anemic love triangle, opposite Ben Affleck (who finally lost his flop imperviousness with the career-killing Gigli) and Kate Beckinsale.
The long-delayed O, an updated Othello for teenagers, finally used Hartnett's enigmatic woodenness to decent effect, but he's proven himself incapable of carrying an entire movie - or, in the case, of the cop comedy Hollywood Homicide, half a movie - on his limited charisma.
Remarkably, 40 Days And 40 Nights kept the Hartnett dream alive even though nobody liked it, but subsequent star vehicles like Wicker Park and the unfortunately titled Lucky Number Slevin haven't succeeded. And then there's The Black Dahlia, which co-starred fellow list makers Scarlett Johansson and Hilary Swank, thus making it the Bermuda Triangle of flops its actors will survive.
The End
[* Coloring Buddy Mike counts 9 of the 18 movie stars listed for his Hollywood star coloring subjects.]